{"id":14049,"date":"2020-12-15T12:46:53","date_gmt":"2020-12-15T11:46:53","guid":{"rendered":"https:\/\/www.rnw.media\/?post_type=news&p=14049"},"modified":"2020-12-15T12:46:53","modified_gmt":"2020-12-15T11:46:53","slug":"the-calligraphic-art-of-rawan-el-muntasser","status":"publish","type":"news","link":"https:\/\/www.rnw.media\/index.php\/news\/the-calligraphic-art-of-rawan-el-muntasser\/","title":{"rendered":"The calligraphic art of Rawan El- Muntaser"},"content":{"rendered":"

\u201cHumble yourself and be proud of your work\u201d is the philosophy of Rawan El- Muntaser a young visual artist based in Tripoli, Libya. Her passion is calligraphy \u2013 in particular the form of Arabic \u062e\u0637 \u0627\u0644\u062b\u0644\u062b used in the Quran. Her aim is to make an impact and to earn a reputation simply as \u2018an artist\u2019 rather than a \u2018female artist\u2019. A term too often used to marginalise and diminish the work of women.<\/strong><\/p>\n

RNW Media\u2019s Huna Libya platform recently featured Rawan\u2019s work and reports that, even as a school student, she was fascinated by calligraphy and strove to perfect her handwriting \u2013 focusing on the way her work looked even more than on its content. She feels a deep connection with the shapes of particularly Arabic and Asian lettering, a connection she describes as having an almost spiritual aspect. In her late teens Rawan began painting abstract watercolours as well as drawing portraits and refining her calligraphy skills. Now 24, Rawan is an accounting graduate and communication specialist as well as a visual artist. She is also a photographer but describes that as more of a hobby.<\/p>\n

New direction
\n<\/strong>She began seriously practising her art 4 years ago in 2016 when she realised she wanted to pursue a new career and is now a fulltime content creator and digital artist. She pushed herself into trying new mediums and discovered new tools and then she applied for a grant from the British Council and won funding to take part in an exhibition<\/a>.<\/p>\n

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\nLetters are living things
\n<\/strong>Rawan experienced a personal breakthrough in her work with calligraphy in 2018, focusing on the Arabic form \u062e\u0637 \u0627\u0644\u062b\u0644\u062b and modernising it. Calligraphy, she says, is not about repeating the same thing so she tries to look at letters from a new perspective and renew them. The letters themselves are her inspiration. She sees them as living things and wants to reinvent them and give them new life. This is where the challenge lies \u2013 every time she creates a piece she goes through the same process of finding a new, deeper perspective.<\/p>\n

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\nStill learning<\/strong>
\nThis style of calligraphic art is not new, and Rawan says it is humbling to consider that some artists will take years to construct a single letter. She describes herself as still a student of this art and the process of creation is also a process of mastering herself. In 2016 she didn\u2019t call herself an artist, but her work has gained momentum since 2018 as she has devoted more of her time and passion to it. Every piece she creates is time consuming and she sometimes questions the artistic process but, she says, the end result is always worth it.<\/p>\n

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\nFacing challenges
\n<\/strong>Rawan has sometimes felt that she wants to quit \u2013 that the challenges are too daunting. Practical challenges include the unavailability of colours and tools but also how to price her work so it is affordable but enables her to generate income \u2013 a particular problem since the COVID-19 pandemic. On a personal level, she faces not only the creative challenge but also the perception of others that she\u2019s not a \u2018true artist\u2019. She deals with these difficulties by focusing even more intently on her practice. She has created an Instagram channel Ounaonpaper<\/a> to share her work and has been successful in attracting buyers from both Libya and abroad.<\/p>\n

But, says Rawan, it\u2019s important to stay grounded:<\/p>\n

“A lot of people get overwhelmed with social media marketing in terms of likes and comments and they forget what art is actually about. Humble yourself and be proud of your work and remember it is not about likes and comments. Sometimes you have to step back a little and take stock of yourself.\u201d<\/em><\/p>\n

Rawan is inspired by the work of many other artists including Qatari Ali Hassan<\/a>, and Iranian Mohamed Zandarodi<\/a>.<\/p>\n

You can read the article in Arabic on the Huna Libya website here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Rawan El- Muntasser is a young visual artist based in Tripoli, Libya. Her passion is calligraphy and her aim is to make an impact and to earn a reputation simply as \u2018an artist\u2019 rather than being patronised as a \u2018female artist\u2019. <\/p>\n","protected":false},"author":3,"featured_media":14051,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_acf_changed":false},"tags":[],"class_list":["post-14049","news","type-news","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rnw.media\/index.php\/wp-json\/wp\/v2\/news\/14049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rnw.media\/index.php\/wp-json\/wp\/v2\/news"}],"about":[{"href":"https:\/\/www.rnw.media\/index.php\/wp-json\/wp\/v2\/types\/news"}],"author":[{"embeddable":true,"href":"https:\/\/www.rnw.media\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rnw.media\/index.php\/wp-json\/wp\/v2\/comments?post=14049"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rnw.media\/index.php\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.rnw.media\/index.php\/wp-json\/wp\/v2\/media?parent=14049"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rnw.media\/index.php\/wp-json\/wp\/v2\/tags?post=14049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}